#PROTEUS PENNY DREADFUL SERIES#

Only to find myself in a place darker still. I have run from the darkness for so long. We can lock the doors and walk away forever.Д®than: There's no walking away from what I am. Inspector Rusk: It's an extradition order. : I think you are the most human man I have ever known.I think you are the most human man I have ever known. Clare, there is around me a shroud that brings only pain. Furthermore, CEEOL allows publishers to reach new audiences and promote the scientific achievements of the Eastern European scientific community to a broader readership.Caliban: Come with me? Our desolate shore. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. Currently, CEEOL covers more than 2000 journals and 690.000 articles, over 4500 ebooks and 6000 grey literature document. CEEOL provides scholars, researchers and students with access to a wide range of academic content in a constantly growing, dynamic repository. Currently, over 1000 publishers entrust CEEOL with their high-quality journals and e-books. In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, publishers and librarians. Therefore, the chapter is concluded with suppositions that question whether the motifs of otherness play an unequivocally subversive role in Penny Dreadful.Д¬EEOL is a leading provider of academic e-journals and e-books in the Humanities and Social Sciences from and about Central and Eastern Europe. However, both FrankensteinвЂ™s creatures fail and become alone. On the other hand, Lily strikes a relationship with Dorian Gray, equally non-normative, in order to achieve a queer monstrous supremacy over the world. John Clare yearns normality and tries to achieve it by establishing a family with a human woman Lily, a demonic man-eater, terrifies him. These two surviving Others-John and Lily-represent two different attitudes to their otherness. She becomes a dangerous fiend, femme castratrice, who desires a new world order and subordination of human beings. The firstborn John Clare murders the second creature, Proteus, out of hatred for their вЂњfatherвЂќ Victor the third being is Lily, another embodiment of the Bride of Frankenstein, destined to be with the creature, but desired by Victor.

In the series, Victor creates three beings, which are in a constant tension with each other. FrankensteinвЂ™s creature is, due to its nature as the undead made of fragments of corpses, an abject thing, an embodiment of Otherness. This discussion is also contextualized by references to Mary ShelleyвЂ™s original novel and some of its classic film adaptations and their comparison with Penny Dreadful. In this light, the presented analysis shows the three creatures made by Frankenstein and Victor Frankenstein himself as characters related to each other in non-normative ways, creating a queer quasi-family. The author identifies the links between queer theory and the gothic, which allow to see the characters which are monstrous, undead, abject-or simply Other-as representations of difference. The queer is understood here as a wide range of non-normativity and difference, including subjectivities and actions which subvert stabilities and norms.

#PROTEUS PENNY DREADFUL SERIES#

Published by: OЕ›rodek Badawczy Facta Ficta Keywords: Frankenstein Penny Dreadful The Bride of Frankenstein queer gothic otherness Summary/Abstract: In the chapter вЂњQueering Frankenstein: the motifs of otherness and non-normativity in В»Penny DreadfulВ«вЂќ, Barbara Braid offers an interpretation of FrankensteinвЂ™s creatures presented in the series from the perspective of queer theory. Subject(s): Philosophy, Social Sciences, Fine Arts / Performing Arts, Comparative Study of Literature, Film / Cinema / Cinematography, Theory of Literature Queering Frankenstein: The Motifs of Otherness and Non-normativity in 'Penny Dreadful' Motywy innoЕ›ci i nienormatywnoЕ›ci w serialu Dom grozy

Proteus penny dreadful